New
Branston squeezy bottle by Rushes
Title: ‘One Arm Scenarios’
Product: Branston - The New Squeezy Bottle
Agency: DLKW
Agency Producer: Vanessa Butcher
Creatives: Remco Graham & Richard Holmes
Production Co: Therapy
Director: Guy Manwaring
Producer: Dickie Jeffares
Post Facility: Rushes
Rushes Producer: Sonia Ralton
Inferno: Emir Hasham
Fire: Brian Carbin
3D: Ross Stansfield, Angela Noble
Wednesday 14th
September 2005
This funny
and very clever new spot for small-chunk Branston Pickle in a squeezy
bottle cannot fail to make the audience laugh. As the commercial
suggests, it’s now so easy to make the perfect sandwich, you
only need to use one arm leaving the other arm free to so something
entirely different.
In a series
of vignettes the protagonists create their wonderful sandwiches
smothered in Branston whilst simultaneously carrying on with other
activities such as painting a wall, sorting a pile of post or thrashing
someone at table tennis.
Rushes Infeno
Artist, Emir Hasham said, “The director, Guy Manwaring, wanted
to create a hyper-real effect of people doing things with the arm
that’s not applying Branston which looked plausible rather
than a blatant special effect. Flexible contemporary dancers were
cast who could move their bodies in slightly unusual ways so that
the finished effect would look more interesting. These characters
were filmed applying pickle with one hand, with their arm and body
relaxed and then shot again with their other arm carrying out complex
actions such as painting, sorting letters and playing table tennis.
To allow the actors to concentrate on their body movements, table
tennis and letter sorting were carried out without the use of ping-pong
balls or letters, which were then created by Rushes’ 3D department
and comped in later.
Using Inferno,
the two different arm actions were joined onto one body and in addition
many of the characters had their heads replaced to achieve the perfect
facial expressions of relaxation and enjoyment. The most important
consideration was in choosing just how much of the moving body to
join onto the relaxed body. Initial tests showed that it was necessary
to use more of the moving body, so that there was a convincing amount
of shoulder and back movement to make the combined body more believable.”
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